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By the time he finally brought Inception to the screen, Nolan was one of the most well-regarded filmmakers in the industry, having enjoyed a string of successes after his breakout second feature, Memento. Though better known for his more mid-budget efforts in Insomnia and The Prestige, the director had been slowly building towards the big-budget fare of the 2010 sci-fi thriller, namely with Batman Begins and its Oscar-nominated follow-up, The Dark Knight.
It was with Inception, however, that Nolan finally began venturing into the realm of thought-provoking sci-fi storytelling. Following the conclusion of his Dark Knight trilogy, the filmmaker would return to this genre with the Matthew McConaughey-led Interstellar, which similarly scored multiple Oscar nominations and was generally well-received by critics. Though his next venture, Tenet, would see its release marred by the COVID-19 pandemic and some more polarized reactions, it was still a welcome return to the genre for the most part.
Though not poorly received, Tenet remains Nolan’s lowest-reviewed directorial movie to date, sitting at a 69% approval rating from critics on Rotten Tomatoes.
Even if unintended in its initial release and development, Inception’s long-term relevancy properly shows his grasp on the sci-fi genre overall. Much like the Wachowskis with The Matrix before him, the filmmaker’s ability to still leave audiences with questions about the movie 13 years after it first hit theaters shows that he understands one of the big drives for stories in the genre is to provoke questions that are not only relevant to their time periods, but for the continuing generations who go back to revisit it. Details behind Nolan’s post-Oppenheimer movie remain unclear, though with the director indicating that it will be “less bleak” than his hit 2023 movie, it will be interesting to see if he elects to tackle a new genre entirely.
Source: The Atlantic
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