Near Nepal’s border with China, a small village sits, islandlike,
on a tip of land formed by precipitous slopes cross-cut
by tumbling Himalayan streams on three sides. The people
who live there call this place “a corner.” A corner, however, is
not a dead-end. It may not be a hub, but it can be a place
where things turn around. This is the message of Kesang
Tseten’s decidedly non-preachy documentary about building a
suspension bridge in this remote community and how this is
embedded in wider economic, political, ecological, domestic,
and spiritual dimensions of everyday life of the villagers who
will use it. In this subtle, multi-dimensional film he has distilled
the country’s realities into the life of one village, bringing
everything into the microcosm: poverty, underdevelopment,
Maoism, evangelists, migrant labour, marriage, life and
death.
Sceneggiatura / Screenplay Kesang Tseten
Fotografia (colore) / Photography (colour) Siddhartha Shakya
Montaggio / Editing Kesang Tseten, Prem BK, Melissa Hacker
Suono / Sound Prem BK
Produzione / Production Kesang Tseten
Anno di produzione / Year of production 2006
Durata / Running time 50’
Formato / Format miniDV
Kesang Tseten
We corner people won Best Nepali
Documentary at the Kathmandu Int’l
Mountain FF (2006), shortlisted for
the 2nd Prize at Film SouthAsia 2007,
selected for the New Asian Currents
of the Yamagata Int’l Documentary
FF 2007, selected as the inaugural
film at the 2nd Bangalore Int’l. FF. On
the Road with the Red God:
MACHHENDRANATH won the Grand
Prize at the Kendal Mountain FF
(2006), Mention at the Bilan du Ethnographique,
and was voted Best
Documentary of the Decade by the
Nepal Motion Pictures Association
(2005). We Homes Chaps featured at
the Film SouthAsia and the Margaret
Mead Film & Video Festival. He
wrote and co-directed Listen to the
Wind, a fictional short for teenagers.
His original screenplay Mask of Desire,
co-produced by NHK/Japan, was
Nepal’s selection to the Academy
Awards (2001). 2004 he wrote the
original screenplay KARMA, soon to
be released. |